Ancestor portraits at Mogao Cave 231
The integration of “secular” figures into a Buddhist cave complicates the separation established by both medieval Chinese authors and modern scholars of Buddhist art between practices of familial commemoration and religious devotion.
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2013
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| In: |
Conversations
Year: 2014 |
| Further subjects: | B
Buddhism
B China B Memory B Filial Piety B Family B Confucianism B Memorial B Ancestors B Mural Painting |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | The integration of “secular” figures into a Buddhist cave complicates the separation established by both medieval Chinese authors and modern scholars of Buddhist art between practices of familial commemoration and religious devotion. |
|---|---|
| Physical Description: | 4 |
| ISSN: | 2475-241X |
| Contains: | Enthalten in: Conversations
|
| Persistent identifiers: | DOI: 10.22332/con.obj.2014.26 |