Abraham et les représentations de l’épisode du sacrifice dans les trois monothéismes
The figure of Abraham, the first patriarch and “discoverer” of monotheism, has marked biblical iconography since the second century of our era. Infanticide as an expression of submission and absolute piety is the most significant act of this story. The sacrifice of Isaac remains the very symbol of t...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Французский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
2022
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| В: |
Die Bibel in der Kunst
Год: 2022, Том: 6, Страницы: 1-31 |
| Нормированные ключевые слова (последовательности): | B
Bibel. Genesis 22,1-19
/ Abraham, Библейский персонаж (мотив)
/ Детская жертва
/ Набожность (мотив)
/ Набожность (мотив) (Мотив)
/ Патриарх
/ Isaak, Библейский персонаж (мотив)
/ Ismael, Библейский персонаж (мотив)
/ Распятие (процесс)
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| Индексация IxTheo: | BH Иудаизм BJ Ислам CA Христианство |
| Другие ключевые слова: | B
Erwählung
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| Online-ссылка: |
Volltext (kostenfrei) |
| Итог: | The figure of Abraham, the first patriarch and “discoverer” of monotheism, has marked biblical iconography since the second century of our era. Infanticide as an expression of submission and absolute piety is the most significant act of this story. The sacrifice of Isaac remains the very symbol of the Election of the patriarch and his heirs. The representations of this episode reveal the areas of agreement and the points of rupture between the Abrahamic religions through the details of their staging and the choice of literary sources that interpret the story. These ideological choices mark the art of the Arab manuscripts, some of which make Ishmael the sacrificed son, thus transferring the Election to the descendants of Abraham’s eldest son. They also mark those of the Christian artists who present the episode of Isaac’s sacrifice as an announcement of the Passion and of the Son’s ultimate sacrifice in the crucifixion, making his disciples the true heirs of God’s promise. The representations of this scene reflect the stakes of the war of the Election that the three monotheisms waged on each other through images. |
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| Объем: | Illustrationen |
| Второстепенные работы: | Enthalten in: Die Bibel in der Kunst
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