“On This Day, We Are Perfect”: Embodiment in Yannai’s Yom Kippur Qerova

This article analyzes two poetic units within a much longer composition (translated in full here) composed by Yannai (6th c. CE, Galilee) for recitation on Yom Kippur. Specifically, it offers readings of Unit 8, which prefaces the third blessing of the Amidah (the Qedushah), and Unit 15, which concl...

ver descrição completa

Na minha lista:  
Detalhes bibliográficos
Autor principal: Lieber, Laura S. (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
Journals Online & Print:
Carregar...
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: 2022
Em: The journal of Jewish thought & philosophy
Ano: 2022, Volume: 30, Número: 1, Páginas: 37-69
Outras palavras-chave:B qerova
B Yannai
B Liturgy
B kinesthetic theology
B Late Antiquity
B Piyyut
Acesso em linha: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Descrição
Resumo:This article analyzes two poetic units within a much longer composition (translated in full here) composed by Yannai (6th c. CE, Galilee) for recitation on Yom Kippur. Specifically, it offers readings of Unit 8, which prefaces the third blessing of the Amidah (the Qedushah), and Unit 15, which concludes the work. Both units dwell on the physical experience of Yom Kippur and the ways in which ritual affects the body, permitting us to consider the role of “kinesthetic theology” (borrowing Kathryn Reklis’ coinage) – i.e., how physical expression and embodied experiences not only reflect but shape belief – in the composition.
ISSN:1477-285X
Obras secundárias:Enthalten in: The journal of Jewish thought & philosophy
Persistent identifiers:DOI: 10.1163/1477285X-12341326