Depictions of the Other in the Paintings of Bucovina's Fifteenth and Sixteenth-Century Orthodox Monasteries

Several churches and monasteries commissioned by the rulers of fifteenth and sixteenth-century Moldavia are decorated with frescoes colorfully adorning their exterior walls, eight of which are on UNESCO’s list of world treasures. The scenes reflect and reinforce Romanian Orthodox Christian identity...

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Bibliographic Details
Main Author: Şenay, Bülent ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
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Published: Rabbi Myer and Dorothy Kripke Center for the Study of Religion and Society at Creighton University 2019
In: Journal of religion & society. Supplement
Year: 2019, Volume: 19, Pages: 136-145
Online Access: Volltext (kostenfrei)
Description
Summary:Several churches and monasteries commissioned by the rulers of fifteenth and sixteenth-century Moldavia are decorated with frescoes colorfully adorning their exterior walls, eight of which are on UNESCO’s list of world treasures. The scenes reflect and reinforce Romanian Orthodox Christian identity formation, as evidenced by depictions of the Other in images of the Last Judgment. There are multiple and varying discourses that accomplish the task of “othering,” including conversation, meta-narratives, plays, politics, religion, war, and so on. In the religious domain, the Other functions as a symbol against which a community can unite and fortify itself. This paper examines the theological and political implications of Bucovina’s Last Judgment frescoes in mobilizing against Ottoman Turks, while depicting Jews as infidels and presenting Armenian and Roman Catholic Christians as heretics.
ISSN:1941-8450
Contains:Enthalten in: Journal of religion & society. Supplement