They Call You the Parisian: On Thera by Zeruya Shalev
Zeruya Shalev writes on marital crises through the prism of Jewish legends and Greek myths on catastrophic themes. The destruction of the Second Temple, the rift between the biblical Kingdom of Israel and the Kingdom of Judea, and an ancient earthquake that decimates an entire civilization serve as...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
The National Association of Professors of Hebrew
2014
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| In: |
Hebrew studies
Year: 2014, Volume: 55, Issue: 1, Pages: 295-303 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Zeruya Shalev writes on marital crises through the prism of Jewish legends and Greek myths on catastrophic themes. The destruction of the Second Temple, the rift between the biblical Kingdom of Israel and the Kingdom of Judea, and an ancient earthquake that decimates an entire civilization serve as analogies to events in the personal lives of her characters. The article examines Shalev’s novel Thera, whose protagonists are archeologists married to one another, and Wilhelm Jensen’s Gardiva: A Pompeiian Fancy (1903)—whose protagonist is also an archeologist, who received a fascinating treatment in Sigmund Freud’s Delusion and Dream in Wilhelm Jensen’s Gardiva (1907). Both Shalev’s Thera and Jensen’s Gardiva use an ancient artwork related to a cataclysmic natural disaster to stimulate the male protagonist’s falling in love with a woman. The scientific archeological investigation serves as an excuse, camouflage, and metaphor for real life taking place in the present. |
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| ISSN: | 2158-1681 |
| Contains: | Enthalten in: Hebrew studies
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| Persistent identifiers: | DOI: 10.1353/hbr.2014.0005 |