The Apocalypse Cycle in the Bedford Hours

The Bedford Hours (British Library MS Additional 18850) has been called one of “the very finest examples of French art of the earlier half of the fifteenth century….” Its lavish use of gold and bright colors, its beautifully conceived calendar pages and large miniatures, its connection with the marr...

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Bibliographic Details
Main Author: Emmerson, Richard K. (Author)
Format: Electronic Article
Language:English
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Published: Cambridge University Press 1995
In: Traditio
Year: 1995, Volume: 50, Pages: 173-198
Online Access: Volltext (JSTOR)
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Parallel Edition:Non-electronic
Description
Summary:The Bedford Hours (British Library MS Additional 18850) has been called one of “the very finest examples of French art of the earlier half of the fifteenth century….” Its lavish use of gold and bright colors, its beautifully conceived calendar pages and large miniatures, its connection with the marriage of John of Lancaster, the duke of Bedford, to Anne of Burgundy, and its fascinating history as a manuscript have received much attention. Scholars, however, have virtually ignored the almost 1,250 marginal illustrations that decorate the manuscript's 289 folios. These tiny pictures are generally woven into the ivy-leaf border, painted within roundels of approximately one inch in diameter. Thematically related, they are usually placed two to a folio side, one within the left or right border, and one within the lower border. The roundels, furthermore, are accompanied by one-line Old French texts. These are always placed together below the lower border and are arranged so that the first text, written in blue, identifies the roundel within the side border, whereas the second text, written in gold, explains the roundel painted within the lower border.
ISSN:2166-5508
Contains:Enthalten in: Traditio
Persistent identifiers:DOI: 10.1017/S0362152900013210