Dante's ‘Baptism’ and the Theology of the Body in ‘Purgatorio’ 1–2
When, in the first canto of Purgatorio, Vergil requests permission to ascend through the Mountain's seven kingdoms, Cato issues instructions for the requisite purification. Vergil complies, descending with Dante to the base of the island, where he applies the morning dew to remove dirt and tear...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Published: |
Cambridge University Press
1990
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In: |
Traditio
Year: 1990, Volume: 45, Pages: 167-190 |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Summary: | When, in the first canto of Purgatorio, Vergil requests permission to ascend through the Mountain's seven kingdoms, Cato issues instructions for the requisite purification. Vergil complies, descending with Dante to the base of the island, where he applies the morning dew to remove dirt and tears from Dante's eyes and cheeks, and girds Dante with a smooth rush. This brief drama, said to restore the color to Dante's face and to prepare for a meeting with the primo ministro (98–99) of paradise, is both the most densely ritualized moment of transition between the first two canticas and the thematic centerpiece of Purgatorio 1. |
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ISSN: | 2166-5508 |
Contains: | Enthalten in: Traditio
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Persistent identifiers: | DOI: 10.1017/S0362152900012721 |