Missal W.11 of the Walters Art Gallery in Baltimore
Medieval missals that hand on the liturgical tradition of earlier centuries, but record little or nothing that is really new, do not as a rule merit publication of their entire text. Yet it is instructive to study them for the light they shed on the gradual formation of the full missal, the history...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Cambridge University Press
1944
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In: |
Traditio
Year: 1944, Volume: 2, Pages: 123-154 |
Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Summary: | Medieval missals that hand on the liturgical tradition of earlier centuries, but record little or nothing that is really new, do not as a rule merit publication of their entire text. Yet it is instructive to study them for the light they shed on the gradual formation of the full missal, the history of plain chant, the diffusion of feasts and prayers, the vicissitudes of the mixed types of sacramentaries and missals, and the local or regional characteristics of the medieval liturgy, which continued to abound until the missal of Pope Pius V came into general use. |
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ISSN: | 2166-5508 |
Contains: | Enthalten in: Traditio
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Persistent identifiers: | DOI: 10.1017/S0362152900017153 |