‘Artuswelt’ and ‘Gralwelt’: Shame Culture and Guilt Culture in ‘Parzival’
‘To judge by the profusion of scholarly works that have appeared in the last two or three decades, Wolfram's Parzival has enjoyed an extraordinary popularity,’ says Henry Kratz in his recent book, which he calls ‘An attempt at a total evaluation.’ Wolfram's romance remains the center of in...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
1976
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| In: |
Traditio
Year: 1976, Volume: 32, Pages: 85-98 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | ‘To judge by the profusion of scholarly works that have appeared in the last two or three decades, Wolfram's Parzival has enjoyed an extraordinary popularity,’ says Henry Kratz in his recent book, which he calls ‘An attempt at a total evaluation.’ Wolfram's romance remains the center of interest, but any ‘total evaluation’ runs the risk that it will be considered only on certain levels of interpretation, in spite of the fact that literary works, especially those of the Middle Ages, often display a combination of interpretative levels which, though seemingly contradictory, still do not necessarily exclude one another. |
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| ISSN: | 2166-5508 |
| Contains: | Enthalten in: Traditio
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| Persistent identifiers: | DOI: 10.1017/S0362152900018407 |
