Eusebian Canon Ten in Codex Fuldensis: Paratextual Confusion, Transmission, and Correction

Eusebius of Caesarea innovated a system for locating Gospel parallels by sorting hundreds of sections into ten canons. Two centuries later, Victor of Capua produced Codex Fuldensis, a Vulgate New Testament replacing the separate Gospels with a harmony and the Eusebian apparatus. Whereas Eusebius’s C...

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Библиографические подробности
Главный автор: Barker, James W. 1976- (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
Проверить наличие: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: 2022
В: Vigiliae Christianae
Год: 2022, Том: 76, Выпуск: 2, Страницы: 144-168
Другие ключевые слова:B Victor of Capua
B Паратекст
B Diatessaron
B Tatian
Online-ссылка: Volltext (lizenzpflichtig)
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Итог:Eusebius of Caesarea innovated a system for locating Gospel parallels by sorting hundreds of sections into ten canons. Two centuries later, Victor of Capua produced Codex Fuldensis, a Vulgate New Testament replacing the separate Gospels with a harmony and the Eusebian apparatus. Whereas Eusebius’s Canon X demarcated unparalleled material, Victor’s scribe repeatedly wrote Canon X within episodes occurring in other Gospels. I argue that these paratextual solecisms illuminate the production of the codex. Victor occasionally wrote a single section number in the margin of his Vorlage to direct his scribe. The scribe then mislabeled the passage as Canon X. In later centuries, copies of the Fuldensis harmony reflect various attempts to correct these mistaken references. Paratextual criticism offers a new way to sort the Latin descendants of the Fuldensis text.
ISSN:1570-0720
Второстепенные работы:Enthalten in: Vigiliae Christianae
Persistent identifiers:DOI: 10.1163/15700720-bja10045