Metaphors in the narrative of Ephesians 2:11-22: motion towards maximal proximity and higher status
Intro -- Contents -- Acknowledgements -- List of Tables and Figures -- Abbreviations -- 1 Prologue -- 1 Previous Non-Metaphorical Approaches to Ephesians 2 -- 2 Previous Metaphorical Approaches to Ephesians 2 -- 3 The Scope of This Book -- 4 Overview of This Book -- 4.1 Stage Directions -- 4.2 The D...
| Main Author: | |
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| Format: | Electronic Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Boston
BRILL
2022
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| In: |
Linguistic biblical studies (20)
Year: 2022 |
| Reviews: | [Rezension von: Jiménez, Oscar E., Metaphors in the narrative of Ephesians 2:11-22 : motion towards maximal proximity and higher status] (2023) (Gerber, Christine, 1963 -)
[Rezension von: Jiménez, Oscar E., Metaphors in the narrative of Ephesians 2:11-22 : motion towards maximal proximity and higher status] (2023) (Goodrich, John K., 1981 -) |
| Series/Journal: | Linguistic biblical studies
20 |
| Standardized Subjects / Keyword chains: | B
Bible. Epheserbrief 2,11-22
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| IxTheo Classification: | HC New Testament |
| Further subjects: | B
Electronic books
B Thesis |
| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
| Summary: | Intro -- Contents -- Acknowledgements -- List of Tables and Figures -- Abbreviations -- 1 Prologue -- 1 Previous Non-Metaphorical Approaches to Ephesians 2 -- 2 Previous Metaphorical Approaches to Ephesians 2 -- 3 The Scope of This Book -- 4 Overview of This Book -- 4.1 Stage Directions -- 4.2 The Drama -- 2 Stage Directions: Methodology for Framing Narrative -- 1 Introduction to Stage Directions -- 2 Unit 1: The Interaction of Narrative with Story, Epistle, and Metaphor -- 2.1 Narrative and Story -- 2.2 Narrative and Epistolary Literature -- 2.3 Narrative and Metaphor -- 3 Unit 2: Framing Metaphor and Metonymy -- 3.1 Frame Semantics -- 3.2 Conceptual Metaphors -- 3.3 Conceptual Metonymy -- 4 Conclusion to Stage Directions -- 3 Drama-Act I: From Outsiders to Insiders -- 1 Introduction to Act I -- 1.1 Overview of the Drama -- 1.2 Overview of Act I: Transformation: "Then" and "Now" -- 2 Act I, Scene 1: Then - "Remember Who You Were" -- 2.1 Literary Background -- 2.2 Ephesians 2:11 - Remember -- 3 Act I, Scene 2: Now - "Let Me Tell You Where You Are Now" -- 3.1 Ephesians 2:13 -- 4 Conclusion to Act I -- 4 Drama-Act II: One Plus One Equals One -- 1 Introduction to Act II -- 1.1 Overview of the Drama -- 1.2 Overview of Act II: Explanation - "Why" and "How" -- 2 Act II, Scene 1: What Christ Did -- 2.1 Christ Is Peace -- 2.2 Christ Makes Peace -- 3 Act II, Scene 2: What Christ Enables the Audience to Experience -- 3.1 Christ Preaches Peace -- 3.2 Christ Enables Peace (with the Father) -- 4 Conclusion to Act II -- 5 Drama-Act III: A More Perfect Union -- 1 Introduction to Act III -- 1.1 Overview of the Drama -- 1.2 Overview of Act III: The Result "So Then" -- 2 Act III, Scene 1: A Shared Identity -- 2.1 The Outside -- 2.2 The Inside -- 2.3 god's territory is a city -- 2.4 god's territory is a household -- 3 Act III, Scene 2: A Shared Purpose. |
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| Item Description: | Description based on publisher supplied metadata and other sources |
| ISBN: | 9004505733 |