On Style in Karl Barth
Karl Barth exacts a heavy punishment on his critics. Reading his many volumes is toil as well as pleasure, as Barth himself observed, in the special irony he reserved for his own work. But it is not the length of the Church Dogmatics, the scripture commentaries, the sermons or the letters, however g...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Cambridge Univ. Press
1992
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In: |
Scottish journal of theology
Year: 1992, Volume: 45, Issue: 1, Pages: 65-84 |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Parallel Edition: | Non-electronic
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Summary: | Karl Barth exacts a heavy punishment on his critics. Reading his many volumes is toil as well as pleasure, as Barth himself observed, in the special irony he reserved for his own work. But it is not the length of the Church Dogmatics, the scripture commentaries, the sermons or the letters, however great, that weighs on the critic. Critics are bothered — for lack of a better term — by his style. |
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ISSN: | 1475-3065 |
Contains: | Enthalten in: Scottish journal of theology
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Persistent identifiers: | DOI: 10.1017/S0036930600038916 |