“Thomas Rhymer (A)” and the Tradition of Early Modern Feminist Theology
One sometimes has the experience of knowing two apparently unrelated bits of information—sometimes for years—until suddenly it occurs to one that they are in fact related and indeed illuminate each other in quite startling ways. I have had the good fortune to teach some of the Scots ballads for the...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
2010
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| In: |
Harvard theological review
Year: 2010, Volume: 103, Issue: 4, Pages: 471-483 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | One sometimes has the experience of knowing two apparently unrelated bits of information—sometimes for years—until suddenly it occurs to one that they are in fact related and indeed illuminate each other in quite startling ways. I have had the good fortune to teach some of the Scots ballads for the last decade or so and have taught “Thomas Rhymer (A)” and ‘Tam Lin (A)” as exemplars of Scots Other World balladry. It is a truism (and the first piece of information) that the worldview of these ballads differs quite markedly from the medieval Catholic worldview that was current when these ballads may have originated and the Scots Presbyterian one that was the dominant ideology in the time and place when they were collected. Few ballad scholars would dispute this claim. |
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| ISSN: | 1475-4517 |
| Contains: | Enthalten in: Harvard theological review
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| Persistent identifiers: | DOI: 10.1017/S0017816010000817 |