Staging the Gaze: Early Christian Apocalypses and Narrative Self-Representation
In Minucius Felix's Octavius, the pagan Caecilius offers an intriguing critique of the Christian God. Having pilloried Christian faith as trust in a “solitary, forlorn God, whom no free nation, no kingdom, no superstition known to Rome has knowledge of,” he goes on to mock him as a voyeur:[W]ha...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
1997
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| In: |
Harvard theological review
Year: 1997, Volume: 90, Issue: 2, Pages: 131-154 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| Summary: | In Minucius Felix's Octavius, the pagan Caecilius offers an intriguing critique of the Christian God. Having pilloried Christian faith as trust in a “solitary, forlorn God, whom no free nation, no kingdom, no superstition known to Rome has knowledge of,” he goes on to mock him as a voyeur:[W]hat monstrous absurdities these Christians invent about this God of theirs, whom they can neither show nor see! That he searches diligently into the ways and deeds of all people, yea even their words and hidden thoughts, hurrying to and fro, everywhere present at once; they make him out to be a troublesome, restless being, who has a hand in everything that is done, is shamelessly curious, interlopes at every turn, and can neither attend to particulars because he is distracted with the whole, nor to the whole because he is engaged with particulars. |
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| ISSN: | 1475-4517 |
| Contains: | Enthalten in: Harvard theological review
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| Persistent identifiers: | DOI: 10.1017/S0017816000006258 |