The Origin of the Egyptian Tomb Statue
It is known that from a very early period the burial customs of the Egyptians included the making of portrait statues of the dead in stone or other materials. Many of these, such as the ‘Sheikh-el-beled’ in Cairo, the Prince Hem-On in Hildesheim, and the ‘Scribe’ in the Louvre, are among the finest...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
1935
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| In: |
Harvard theological review
Year: 1935, Volume: 28, Issue: 1, Pages: 45-53 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | It is known that from a very early period the burial customs of the Egyptians included the making of portrait statues of the dead in stone or other materials. Many of these, such as the ‘Sheikh-el-beled’ in Cairo, the Prince Hem-On in Hildesheim, and the ‘Scribe’ in the Louvre, are among the finest works of Egyptian art. We know also that this ancient custom survived in Egypt until about the beginning of the Christian era, and it has often been asserted that the type of the archaic statues of the Greeks was decisively influenced by the contemporary works of the Egyptians. For these reasons the question of the origin of the Egyptian tomb statue has a general interest, outside the sphere of Egyptology. |
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| ISSN: | 1475-4517 |
| Contains: | Enthalten in: Harvard theological review
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| Persistent identifiers: | DOI: 10.1017/S0017816000006787 |