Strzygowski and His Theory of Early Christian Art
The study of the monuments of the early centuries of the Christian Era has hitherto received its inspiration from one or other of two sources. Christian scholars, like De Rossi and Wilpert and Kraus, have been interested in the subject because of its Christian content and significance, and classical...
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| Format: | Electronic Article |
| Language: | English |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
1910
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| In: |
Harvard theological review
Year: 1910, Volume: 3, Issue: 3, Pages: 357-365 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The study of the monuments of the early centuries of the Christian Era has hitherto received its inspiration from one or other of two sources. Christian scholars, like De Rossi and Wilpert and Kraus, have been interested in the subject because of its Christian content and significance, and classical scholars, like Wickhoff and Riegl, have studied the monuments of this period as the expiring forms of classic art. Both classes of scholars have, in great measure, confined their observations to the monuments of Italy, especially to those of Rome and to the distinctly Roman provinces. Against this point of view that “All roads lead to Rome,” a new battle-cry is raised, “Ex oriente lux.” It is not to Rome, but to Alexandria and Egypt, Ephesus and Asia Minor, Antioch and Syria, Jerusalem and Palestine, that we must look for the solution of early Christian and medieaval art. The new champion is Dr. Josef Strzygowski, and he is gathering adherents amongst the younger writers in various German universities. |
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| ISSN: | 1475-4517 |
| Contains: | Enthalten in: Harvard theological review
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| Persistent identifiers: | DOI: 10.1017/S001781600001470X |