Kunst als Manifestation des Unendlichen: Wackenroders »Herzensergießungen eines kunstliebenden Klosterbruders« (1796/97): Johannes Wallmann in herzlicher Verehrung zum 70. Geburtstag
The essay shows that rather than being representative of the later romantic construct of 'art-religion', Wackenroder's 'Herzensergießungen' (Outpourings of the Heart), this initiatory text of Early German Romanticism, was an attempt to recapture the function of art to serve...
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Mohr Siebeck
2000
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| In: |
Zeitschrift für Theologie und Kirche
Year: 2000, Volume: 97, Issue: 2, Pages: 210-237 |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | The essay shows that rather than being representative of the later romantic construct of 'art-religion', Wackenroder's 'Herzensergießungen' (Outpourings of the Heart), this initiatory text of Early German Romanticism, was an attempt to recapture the function of art to serve religion. Thus the presupposed concept of religion is in surprising proximity to the understanding of religion which is developed in Schleiermacher's 'Reden' (Speeches). |
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| ISSN: | 1868-7377 |
| Contains: | Enthalten in: Zeitschrift für Theologie und Kirche
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