Intercruzamento entre religiões de matriz africana e o graffiti: a decisão da entidade no ato de pintar o terreiro de Mina Nagô Deus Esteja Contigo = Intercrossing between the African-brazilian religions and graffiti : the decision of the deity in terreiro de Mina Nagô Deus Esteja Contigo
In this article I present through ethnographic experience the entanglement between graffiti and afro-brazilian religions. I had acesse to the graffiti culture during my research with a group of organized artist women in the city of Belém do Pará, north of Brazil. As part of the group I become a graf...
| Subtitles: | Intercrossing between the African-brazilian religions and graffiti |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Asociación de Cientistas Sociales de la Religión del Mercosur
2020
|
| In: |
Ciencias sociales y religión
Year: 2020, Volume: 22 |
| Further subjects: | B
Agency
B African-Brazilian religions B Graffiti B Maria Padilha B Species |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | In this article I present through ethnographic experience the entanglement between graffiti and afro-brazilian religions. I had acesse to the graffiti culture during my research with a group of organized artist women in the city of Belém do Pará, north of Brazil. As part of the group I become a graffiti artist and it was through this practice that I approached the universe of afro-brazilian religion when I received an invitation from a religious leader to paint the walls of a “sacred place. After the sketch was approved by the clergyman and when I was ready to paint I was informed that it was cancelled by one of the entities of the house (terreiro), called Maria Padilha. So, the publicization of the art image was interrupted in this dialogue. Finally the art was realized in the house of a filha de santo. This episode conducted an anthropological reflection about sensibilities and forms of visibility an invisibility. |
|---|---|
| ISSN: | 1982-2650 |
| Contains: | Enthalten in: Ciencias sociales y religión
|
| Persistent identifiers: | DOI: 10.20396/csr.v22i00.13530 |