The Miracle Case: Film Censorship and the Supreme Court

The impact of the Miracle case on the institution of prior censorship is an oft-told tale. This version is enlivened with fresh insights into the issues and vivid portraits of the players who pressed and heard the case. But more could have been said about the art film market, which spawned the censo...

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Bibliographic Details
Main Author: Balio, Tino (Author)
Format: Electronic Review
Language:English
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Published: Oxford University Press 2009
In: A journal of church and state
Year: 2009, Volume: 51, Issue: 2, Pages: 376-378
Review of:The Miracle case (Lawrence, Kan : University Press of Kansas, 2008) (Balio, Tino)
Further subjects:B Book review
Online Access: Volltext (JSTOR)
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Summary:The impact of the Miracle case on the institution of prior censorship is an oft-told tale. This version is enlivened with fresh insights into the issues and vivid portraits of the players who pressed and heard the case. But more could have been said about the art film market, which spawned the censorship battles, and the impact of these cases on production trends of the time. The hero is Joseph Burstyn, a small-time foreign film distributor who released Roberto Rossellini's The Miracle in 1950 as part of a trilogy of short films entitled Ways of Love. The Miracle had been passed by the New York State censors and had opened to good reviews at the Paris Theater in New York. Soon after, it was denounced by Catholics as “sacrilegious” and its exhibition license revoked by a city commissioner.
ISSN:2040-4867
Contains:Enthalten in: A journal of church and state
Persistent identifiers:DOI: 10.1093/jcs/csp064