Rites and Hymns of the Anthropocene: Formierungsprozesse christlicher Identität in Liturgien und Musik des weltweiten Luthertums

This article provides insight from a musical perspective into the issues facing the LWFin its strategies for forming Lutheran liturgical identities. It focuses on music's formative role in creating identity, as well as on the ways Martin Luther worked to form aliturgical identity through divers...

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Bibliographic Details
Main Author: Steinmetz, Uwe 1975- (Author)
Format: Electronic Article
Language:German
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Published: Vandenhoeck & Ruprecht 2021
In: Kerygma und Dogma
Year: 2021, Volume: 67, Issue: 4, Pages: 306-325
Standardized Subjects / Keyword chains:B Luther, Martin 1483-1546 / Lutheranism / Liturgy / Church music
IxTheo Classification:KAG Church history 1500-1648; Reformation; humanism; Renaissance
KDD Protestant Church
RC Liturgy
RD Hymnology
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Summary:This article provides insight from a musical perspective into the issues facing the LWFin its strategies for forming Lutheran liturgical identities. It focuses on music's formative role in creating identity, as well as on the ways Martin Luther worked to form aliturgical identity through diverse musical forms, including Gregorian chant, folk music, and classical music as composed by Josquin Des Prez. The author defines and ex-plores the structural element of autotransformatism as a distinct quality for liturgicalidentities in the tradition of Martin Luther, also highlighting its relevance for religiouslyinspired music in the Lutheran tradition in the twenty-first century. He argues that discovering of embodied faith and individual faith narratives as an expression of the Christian identity of all worshipers, to new reflections on Luther's idea of the priesthood of all believers, and to new emphases on the international body of Christ, thusly connecting the localwith the global in the Anthropocene.
ISSN:2196-8020
Contains:Enthalten in: Kerygma und Dogma
Persistent identifiers:DOI: 10.13109/kedo.2021.67.4.306