Augustine as Improvisational Theologian: The Musical Nature of Augustine's Thought
In this article, I explore the nature of Augustine's theological thinking. My thesis is that Augustine is an “improvisational theologian,” meaning his theology begins from the place that an improvisational musician's thinking does: attunement. In order to prove this thesis, I have three se...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2016
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| In: |
New blackfriars
Year: 2016, Volume: 97, Issue: 1067, Pages: 74-92 |
| Further subjects: | B
Augustine
B Attunement B Method B Hermeneutics B Improvisation |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| Summary: | In this article, I explore the nature of Augustine's theological thinking. My thesis is that Augustine is an “improvisational theologian,” meaning his theology begins from the place that an improvisational musician's thinking does: attunement. In order to prove this thesis, I have three sections. The first is an analysis of the type of thinking that takes place in improvisational music, showing how it is predicated upon an idea of attunement. Second, I explore the improvisational nature of Augustine's thought by seeing how attunement is also at work in his thinking. In order to do this, I show how he develops a musical worldview in De Musica and how this guides his subsequent thinking in De Doctrina Christiana and Confessions. I conclude by briefly pointing to different contemporary theological issues that this reading of Augustine can enrich. |
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| ISSN: | 1741-2005 |
| Contains: | Enthalten in: New blackfriars
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| Persistent identifiers: | DOI: 10.1111/nbfr.12003 |
