In Bruges: Heaven or Hell?
The tale of two foul-mouthed Irish contract killers hiding out in Belgium may initially appear incompatible with the writings of Saint Augustine of Hippo (354–430), the Latin Father of the Church. However, this article argues that Martin McDonagh's film In Bruges (2008, UK/USA) has the dimensio...
Published in: | Literature and theology |
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Main Author: | |
Format: | Electronic Review |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Oxford University Press
2012
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In: |
Literature and theology
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Further subjects: | B
Book review
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Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Summary: | The tale of two foul-mouthed Irish contract killers hiding out in Belgium may initially appear incompatible with the writings of Saint Augustine of Hippo (354–430), the Latin Father of the Church. However, this article argues that Martin McDonagh's film In Bruges (2008, UK/USA) has the dimensions of an Augustinian drama, addressing themes raised in the theological epic City of God, including eschatology, sin, suicide, war and the nature of suffering. In 107 minutes—rather than the voluminous pages of Augustine's magnum opus—In Bruges offers an opportunity for its protagonists to ponder on some of life's most vital questions. |
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ISSN: | 1477-4623 |
Contains: | Enthalten in: Literature and theology
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Persistent identifiers: | DOI: 10.1093/litthe/frr057 |