Ezra Pound: The One-Principle Text
Confucianism, Pound writes, “is one, indivisible, a nature extending to every detail as the nature of being oak or maple extends to every part of the oak tree or maple.” Pound considers Confucianism a universal principle of truth manifest both in nature and in culture. He also follows Confucianism a...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2006
|
| In: |
Literature and theology
Year: 2006, Volume: 20, Issue: 4, Pages: 394-410 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
|
| Summary: | Confucianism, Pound writes, “is one, indivisible, a nature extending to every detail as the nature of being oak or maple extends to every part of the oak tree or maple.” Pound considers Confucianism a universal principle of truth manifest both in nature and in culture. He also follows Confucianism as a literary method in making his art, which he calls the one-principle text. This article examines how Pound applies his Confucianism as a unifying method in The Cantos, and how his one-principle text, together with his ideogrammic method, embodies his innovation of translating his reading of Confucian philosophy into Confucian poetics. |
|---|---|
| ISSN: | 1477-4623 |
| Contains: | Enthalten in: Literature and theology
|
| Persistent identifiers: | DOI: 10.1093/litthe/frl037 |
