The Narratee as Confessor in Margaret Laurence's The Fire‐Dwellers

Margaret Laurence's Manawaka novels represent the consciousness of an anguished confessor who perceives herself to be alone in the world. In a sustained, retrospective account of a critical period in the protagonist's life, Laurence draws upon a Western literary tradition of confession tha...

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Библиографические подробности
Главный автор: Beckman‐Long, Brenda (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
Проверить наличие: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: 2003
В: Literature and theology
Год: 2003, Том: 17, Выпуск: 2, Страницы: 113-126
Online-ссылка: Volltext (JSTOR)
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Описание
Итог:Margaret Laurence's Manawaka novels represent the consciousness of an anguished confessor who perceives herself to be alone in the world. In a sustained, retrospective account of a critical period in the protagonist's life, Laurence draws upon a Western literary tradition of confession that extends to Saint Augustine of Hippo. In The Fire‐Dwellers, Stacey MacAindra is a woman in Vancouver of the 1960s, a markedly different socio‐historical context. Despite the lack of a strictly theological framework for Stacey's self‐examination, the narrative dramatises a spiritual exercise of laying open the memory in order to awaken self‐perception. The novel is structured by a series of narratees, including Stacey herself, several character‐narratees, and the superaddressee God, who serve as confessors to move the protagonist from isolation to engagement and self‐perception in a gendered confession. An analysis of the narratees reveals Laurence's use of the confessional genre in a polyphonic novel to explore female subjectivity and to construct a narrative of female self‐transformation.
ISSN:1477-4623
Второстепенные работы:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/17.2.113