Norbert Zimmermann, Die Werkstattgruppen römischer Katakombenmalerei
Although numerous studies have been devoted to it, the history of wall painting in Late Antiquity is still very imperfectly known. This holds true especially where the chronology and stylistic development of late antique wall painting is concerned. Therefore, any serious study that seeks to advance...
Main Author: | |
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Format: | Electronic Article |
Language: | German |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
De Gruyter
2005
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In: |
Byzantinische Zeitschrift
Year: 2005, Volume: 97, Issue: 2, Pages: 640-642 |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Summary: | Although numerous studies have been devoted to it, the history of wall painting in Late Antiquity is still very imperfectly known. This holds true especially where the chronology and stylistic development of late antique wall painting is concerned. Therefore, any serious study that seeks to advance our knowledge in this particular area is more than welcome, especially when it considers the most important corpus of wall paintings at our disposal, namely the painted cubicula and arcosolia that have survived in the catacombs of Rome. The book under review here is such a study. It is a detailed a carefully-researched work that represents the revised version of a doctoral dissertation written at the University of Munich under the guidance of J.G. Deckers, himself a well known authority in the study of late antique art and archaeology. |
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ISSN: | 1868-9027 |
Contains: | Enthalten in: Byzantinische Zeitschrift
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Persistent identifiers: | DOI: 10.1515/BYZS.2004.640 |