The Song of Songs in the History of Sexuality

The arduous task of queering the Song of Songs, a book that is ostensibly an unequivocal celebration of male-female sexual love, was accomplished over many centuries by the Fathers and Doctors of the Church (as well as by Jewish Sages of blessed memory, though they were hampered by a modesty and res...

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Bibliographic Details
Main Author: Moore, Stephen D. 1954- (Author)
Format: Electronic Article
Language:English
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Published: Cambridge Univ. Press 2000
In: Church history
Year: 2000, Volume: 69, Issue: 2, Pages: 328-349
Online Access: Volltext (JSTOR)
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Parallel Edition:Non-electronic
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Summary:The arduous task of queering the Song of Songs, a book that is ostensibly an unequivocal celebration of male-female sexual love, was accomplished over many centuries by the Fathers and Doctors of the Church (as well as by Jewish Sages of blessed memory, though they were hampered by a modesty and restraint to which their Christian cousins were seldom subject). Night after night in their cells, by flickering candlelight, they queeried the Song of Solomon, strenuously inquiring after its spiritual meaning and confidently setting it forth. And as they did so their austere cells were transformed into lavish theaters. What follows is a series of preliminary portraits of some of the more remarkable performers.
ISSN:1755-2613
Contains:Enthalten in: Church history
Persistent identifiers:DOI: 10.2307/3169583