Michel Foucault, Lust, Women, and Sin in Louis XIV's Paris
Since 1984, the year of his death, a veritable cottage industry of criticism has appeared to decipher, decode, and demolish Michel Foucault. Despite the polemics, ambiguities, and, at times, the impenetrability of his prose, Foucault and his critics do agree that one of the central concerns of his w...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
1990
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| In: |
Church history
Year: 1990, Volume: 59, Issue: 1, Pages: 35-50 |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| Summary: | Since 1984, the year of his death, a veritable cottage industry of criticism has appeared to decipher, decode, and demolish Michel Foucault. Despite the polemics, ambiguities, and, at times, the impenetrability of his prose, Foucault and his critics do agree that one of the central concerns of his work, particularly his early work, was an analysis of power and how such institutions as police, prisons, and churches reflect the power structures of society. |
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| ISSN: | 1755-2613 |
| Contains: | Enthalten in: Church history
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| Persistent identifiers: | DOI: 10.2307/3169084 |