Eastern and Western creativity of tradition
Western creativity is usually entrusted to the human imagination, regarded as a mental power capable of envisioning eternally original artefacts, while in the East creativity is entrusted to nature-in-the human, what Taoist philosophy calls qi, a spiritual power capable of reflecting the passing cha...
Autor principal: | |
---|---|
Outros Autores: | |
Tipo de documento: | Recurso Electrónico Artigo |
Idioma: | Inglês |
Verificar disponibilidade: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Publicado em: |
2021
|
Em: |
Asian philosophy
Ano: 2021, Volume: 31, Número: 4, Páginas: 402-413 |
Outras palavras-chave: | B
Taoism
B Imaginação B Monism B Word B Qi B Creativity B Dualism |
Acesso em linha: |
Volltext (lizenzpflichtig) |
Resumo: | Western creativity is usually entrusted to the human imagination, regarded as a mental power capable of envisioning eternally original artefacts, while in the East creativity is entrusted to nature-in-the human, what Taoist philosophy calls qi, a spiritual power capable of reflecting the passing changes of nature in paintings, poems, and other forms of art. It is the intention of this paper to explore and elucidate these differences between the Western and Eastern conceptualizations of creativity, ending with a suggestion of one feature they may have in common. |
---|---|
ISSN: | 1469-2961 |
Obras secundárias: | Enthalten in: Asian philosophy
|
Persistent identifiers: | DOI: 10.1080/09552367.2021.1933735 |