The Poetics of Composition of the Hebrew Short Story in the Haskalah Period
The main goal of this paper is to determine and describe the poetics of composition of the Hebrew short story in the Enlightenment (Haskalah) period. (The Haskalah was a major literary movement in Hebrew literature, mainly in Germany, Austria, and Russia, from 1780 to 1870. This movement evolved in...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Pennsylvania Press
1985
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| In: |
AJS review
Year: 1985, Volume: 10, Issue: 1, Pages: 89-110 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The main goal of this paper is to determine and describe the poetics of composition of the Hebrew short story in the Enlightenment (Haskalah) period. (The Haskalah was a major literary movement in Hebrew literature, mainly in Germany, Austria, and Russia, from 1780 to 1870. This movement evolved in three distinct phases: neoclassic, romantic, and realistic.) The narrative of the Haskalah period has received considerable attention from many critics and researchers, beginning with the first critics of Hebrew literature (such as Kovner, Brainin, Paperna, and Lilienblum), through critics of the early twentieth century (such as Feitelson, Robinson, Zitron, Zinberg, Frischmann, Slouschz, Shapira, Klausner, and Lachower), up to contemporary critics (Patterson, Weinfeld, Wersses, Shaked, Miron, Feingold, and others). |
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| ISSN: | 1475-4541 |
| Contains: | Enthalten in: Association for Jewish Studies, AJS review
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| Persistent identifiers: | DOI: 10.1017/S0364009400001203 |