Schoenberg's Moses Und Aron and the Judaic Ban on Images
This article argues that Schoenberg's monumental opera Moses und Aron reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the...
| Autor principal: | |
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
2001
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| En: |
Journal for the study of the Old Testament
Año: 2001, Volumen: 25, Número: 92, Páginas: 73-90 |
| Acceso en línea: |
Volltext (lizenzpflichtig) |
| Sumario: | This article argues that Schoenberg's monumental opera Moses und Aron reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the article analyzes Moses und Aron and suggests that Cohen's theory offers a context through which to understand the philosophical and cultural underpinnings of Schoenberg's music and drama. The article concludes with a brief discussion of the social and political milieu in which Moses und Aron was created and its implications for understanding Schoenberg's and the German-Jewish intellectual struggle for identity. |
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| ISSN: | 1476-6728 |
| Obras secundarias: | Enthalten in: Journal for the study of the Old Testament
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| Persistent identifiers: | DOI: 10.1177/030908920102509205 |
