In Woman’s Image: An Iconography for God
Historical representations of God are deeply masculinist within the Christian tradition. In spite of the theoretical recognition that God transcends gender, Christian tradition failed to produce fully autonomous female images of God. While representations of the Virgin Mary were the only expressions...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sage
2004
|
| In: |
Feminist theology
Year: 2004, Volume: 13, Issue: 1, Pages: 40-61 |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | Historical representations of God are deeply masculinist within the Christian tradition. In spite of the theoretical recognition that God transcends gender, Christian tradition failed to produce fully autonomous female images of God. While representations of the Virgin Mary were the only expressions of the divine as feminine, the figure of Mary was shrouded in ambivalence since she was often shown as both authoritative and submissive. In spite of these limitations, she can serve as an inspiration to feminist artists and theologians. Contemporary renditions of Mary, inspired by the images of Our Lady of Guadalupe, show her as triumphant, and actively involved in women’s struggle. Other artistic works from Native American and Goddess traditions display the sacred women as selfdetermined and capable of creativity at various stages in life. This article proposes that within a visual culture like ours, figures of God as feminine are crucial in challenging the reigning masculine symbols for God. |
|---|---|
| ISSN: | 1745-5189 |
| Contains: | Enthalten in: Feminist theology
|
| Persistent identifiers: | DOI: 10.1177/096673500401300104 |