»Religiös unmusikalisch« Aspekte einer hermeneutischen Problematik
This essay explores the meaning of the term »religiously tone-deaf« (»religiös unmusikalisch«) in Max Weber and Jürgen Habermas. The author considers the closeness of music and Christianity in the works of Luther and Schleiermacher. The shift in the relationship between reason and religion, as sugge...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Allemand |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2011
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| Dans: |
Zeitschrift für Theologie und Kirche
Année: 2011, Volume: 108, Numéro: 4, Pages: 490-509 |
| Accès en ligne: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Édition parallèle: | Non-électronique
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| Résumé: | This essay explores the meaning of the term »religiously tone-deaf« (»religiös unmusikalisch«) in Max Weber and Jürgen Habermas. The author considers the closeness of music and Christianity in the works of Luther and Schleiermacher. The shift in the relationship between reason and religion, as suggested by the term »religiously tone-deaf,« is incorporated by the author, based on the hermeneutic challenge which the shift presents. |
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| ISSN: | 1868-7377 |
| Contient: | Enthalten in: Zeitschrift für Theologie und Kirche
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| Persistent identifiers: | DOI: 10.1628/004435411798369970 |
