Gottes Wort als offenes Kunstwerk. Chancen einer synthetischen Perspektive auf zwei entgegengesetzte Denkansätze der homiletischen Diskussion des 20. Jahrhunderts
For a long time, dialectical theology and the aesthetics of reception were perceived as irreconcilable and contrasting elements. In his article, »God's Word as an Open Work of Art,« the author shows that these approaches are not mutually exclusive and that in fact they unfold their own theologi...
Main Author: | |
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Format: | Electronic Article |
Language: | German |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Published: |
2007
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In: |
Zeitschrift für Theologie und Kirche
Year: 2007, Volume: 104, Issue: 2, Pages: 246-266 |
Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Parallel Edition: | Non-electronic
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Summary: | For a long time, dialectical theology and the aesthetics of reception were perceived as irreconcilable and contrasting elements. In his article, »God's Word as an Open Work of Art,« the author shows that these approaches are not mutually exclusive and that in fact they unfold their own theological productivity together. |
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ISSN: | 1868-7377 |
Contains: | Enthalten in: Zeitschrift für Theologie und Kirche
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Persistent identifiers: | DOI: 10.1628/004435407781053838 |