Artistic beauty and religious sublimity in literature: a Levinasian reproach of estheticism in light of Kant’s third Critique
Emmanuel Levinas’s doubts about the ethical value of artistic beauty have been widely acknowledged by the vast majority of Levinas’s commentators. However, though it is true that in “Reality and Its Shadow” Levinas persistently rebukes artistic beauty for its nonethicality, it is undeniable that he...
Published in: | International journal for philosophy of religion |
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Main Author: | |
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Springer Science + Business Media B. V
2021
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In: |
International journal for philosophy of religion
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Further subjects: | B
Ethical reality
B Artistic beauty B Kantian esthetics B Levinasian literary theory B Philosophical criticism B Spiritual sublimity |
Online Access: |
Volltext (lizenzpflichtig) |
Summary: | Emmanuel Levinas’s doubts about the ethical value of artistic beauty have been widely acknowledged by the vast majority of Levinas’s commentators. However, though it is true that in “Reality and Its Shadow” Levinas persistently rebukes artistic beauty for its nonethicality, it is undeniable that he at least upholds the value of artistic criticism and modern literature. In this article I intend to relate Levinas’s exploration of the possibility of spiritual–ethical teaching in literature to Immanuel Kant’s reflections on the relation between the feeling of beauty, that of sublimity, and sensible feeling in his third Critique. This up-close comparative examination fosters understanding of Levinas’s religious and philosophical approach to the sublime elements in some literary works, especially those of Fyodor Dostoevsky. |
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ISSN: | 1572-8684 |
Contains: | Enthalten in: International journal for philosophy of religion
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Persistent identifiers: | DOI: 10.1007/s11153-021-09807-w |