Poetry and Revelation: Hopkins, Counter-Experience and Reductio
What is “religious poetry”? A brief study of three major critics — Samuel Johnson, T. S. Eliot and Harold Bloom — reveals the guiding assumptions behind the notion. These assumptions are then brought under scrutiny. A close reading of G. M. Hopkins' poem “God's Grandeur” reveals another wa...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2005
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| In: |
Pacifica
Year: 2005, Volume: 18, Issue: 3, Pages: 259-280 |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | What is “religious poetry”? A brief study of three major critics — Samuel Johnson, T. S. Eliot and Harold Bloom — reveals the guiding assumptions behind the notion. These assumptions are then brought under scrutiny. A close reading of G. M. Hopkins' poem “God's Grandeur” reveals another way of considering religious poetry. |
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| ISSN: | 1839-2598 |
| Contains: | Enthalten in: Pacifica
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| Persistent identifiers: | DOI: 10.1177/1030570X0501800301 |