Some Notes on “playing Logos” in Ambiguum 71 of St Maximus the Confessor

In the Ambigua to John 71, Maximus the Confessor discusses a passage of Gregory Nazianzen describing divine Logos that “plays in all kinds of forms.” The article emphasises four main approaches of the Ambiguum 71 to ‘acquit’ the image of ‘playful’ God. Firstly, St Maximus involves the hyperbolic lan...

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Detalhes bibliográficos
Autor principal: Kurdybaylo, Dmitry (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: 2021
Em: Scrinium
Ano: 2021, Volume: 17, Número: 1, Páginas: 239-254
Classificações IxTheo:KAB Cristianismo primitivo
KAD Alta Idade Média
NBC Deus
Outras palavras-chave:B Play
B Aporia
B Game
B Ambigua to John
B Maximus the Confessor
B Logos
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Descrição
Resumo:In the Ambigua to John 71, Maximus the Confessor discusses a passage of Gregory Nazianzen describing divine Logos that “plays in all kinds of forms.” The article emphasises four main approaches of the Ambiguum 71 to ‘acquit’ the image of ‘playful’ God. Firstly, St Maximus involves the hyperbolic language of Pseudo-Dionysius to indicate the superiority of divine ‘game’ over any kind of prudency or playfulness. Secondly, God’s playing can be discovered in His providence towards the sensible creations. The third step introduces all the material world as a God’s plaything, which can nevertheless be an object of natural contemplation. The fourth approach is merely moral, and its pathetic language conceals tensions between St Maximus’ and St Gregory’s patterns of thinking. Finally, all four parts are linked in a single structure derived from the triad “practical philosophy – natural contemplation – mystical theology,” which was often used by St Maximus.
ISSN:1817-7565
Obras secundárias:Enthalten in: Scrinium
Persistent identifiers:DOI: 10.1163/18177565-bja10046