The Politics of Sound and Song: Lectors and Cantors in Early Medieval Iberia

In early medieval Iberia, Suevic and Visigothic conversions to Nicene Christianity in the 560s and 580s generated ongoing episcopal and royal attention to cathedral liturgies and to the clerics who performed them. This article turns to this Iberian context to illuminate how lectors and cantors and t...

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Bibliographic Details
Main Author: Lester, Molly ca. 20./21. Jh. (Author)
Format: Electronic Article
Language:English
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Published: Cambridge Univ. Press 2021
In: The journal of ecclesiastical history
Year: 2021, Volume: 72, Issue: 3, Pages: 471-490
Standardized Subjects / Keyword chains:B Iberian Peninsula / Church / Lector (Liturgy) / Cantor / Church office / Orthodoxy / History 500-700
IxTheo Classification:KAD Church history 500-900; early Middle Ages
KBH Iberian Peninsula
RB Church office; congregation
RC Liturgy
RD Hymnology
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Summary:In early medieval Iberia, Suevic and Visigothic conversions to Nicene Christianity in the 560s and 580s generated ongoing episcopal and royal attention to cathedral liturgies and to the clerics who performed them. This article turns to this Iberian context to illuminate how lectors and cantors and their aural duties became increasingly central to the production of Christian orthodoxy. It is argued that in the early 600s Visigothic anxieties over the production of correct liturgical sound eventually became a focal point of longstanding episcopal efforts to clericalise the minor officers of the Church.
ISSN:1469-7637
Contains:Enthalten in: The journal of ecclesiastical history
Persistent identifiers:DOI: 10.1017/S0022046920001517