You Cannot Be in Love with a Word: Theologies of Embodiment in Dreyer's "The Passion of Joan of Arc", Axel's "Babette's Feast" and von Trier's "Breaking the Waves"
My article investigates the representation and significance of the suffering female body in three films by Danish male directors operating in a religious framework: Dreyer’s The Passion of Joan of Arc (1928), Axel’s Babette’s Feast (1987) and von Trier’s Breaking the Waves (1996). In these films the...
| Autor principal: | |
|---|---|
| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
2014
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| En: |
Journal of religion, media and digital culture
Año: 2014, Volumen: 3, Número: 1, Páginas: 8-30 |
| Otras palabras clave: | B
Revista
B Ciencias sociales B Religionswissenschaften B Sociología de la religión B Religion & Gesellschaft |
| Acceso en línea: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Rights Information: | CC BY-NC-ND 4.0 |
