Paradise on a river of hell: Kashmiri cultural memory through the lens of film : Paradise on a river of hell revisited
Abir Bazaz tackles the question of what it means to make a film about the Sufi traditions of the Kashmir Valley. In conversation with Max Kramer he talks about the film-form and Dastavezi’s interest in aesthetics and theory.
Authors: | ; |
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Format: | Electronic Article Video |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
WorldCat: | WorldCat |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Heidelberg Asian Studies Publishing
2021
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In: |
Dastavezi
Year: 2021, Volume: 3 |
Further subjects: | B
cultural memory
B Kashmir B Film B Sufism |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Summary: | Abir Bazaz tackles the question of what it means to make a film about the Sufi traditions of the Kashmir Valley. In conversation with Max Kramer he talks about the film-form and Dastavezi’s interest in aesthetics and theory. |
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Item Description: | "Kashmir cultural memory through the lens of film : paradise on a river of hell revisited", Begleittext von Max Kramer und Abir Bazaz (PDF) Dokumentarfilm. - Kurzfilm. Indien. 2021 |
ISSN: | 2628-9113 |
Contains: | Enthalten in: Dastavezi
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Persistent identifiers: | DOI: 10.11588/dasta.2021.1.15258 |