The Layout of the Song of Moses (Deut 32) in Masoretic Manuscripts and Biblia Hebraica Quinta
Illustrating with the Song of Moses, Dominique Barthélemy argued the importance, in the preparation of a critical edition, of distinguishing the work of the copyist from that of the Masorete in Masoretic manuscripts. This article reviews the argument and considers its application in the layout of th...
| Subtitles: | Papers in honour of Roger Omanson, Part 2 |
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| 主要作者: | |
| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| 出版: |
2013
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| In: |
The Bible translator
Year: 2013, 卷: 64, 發布: 2, Pages: 159-172 |
| Further subjects: | B
Deuteronomy 32
B Leningrad B19A B Masoretic manuscripts B Aleppo Codex B Biblia Hebraica Quinta |
| 在線閱讀: |
Volltext (lizenzpflichtig) |
| 總結: | Illustrating with the Song of Moses, Dominique Barthélemy argued the importance, in the preparation of a critical edition, of distinguishing the work of the copyist from that of the Masorete in Masoretic manuscripts. This article reviews the argument and considers its application in the layout of the Song in Biblia Hebraica Quinta. |
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| ISSN: | 2051-6789 |
| Contains: | Enthalten in: The Bible translator
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| Persistent identifiers: | DOI: 10.1177/2051677013491870 |
