Starozavezne predpodobe Marije in podobe Judov v slovenskih nabožnih pesmaricah v različnih obdobjih Katoliške cerkve = Old Testament Preimages of Mary and Images of Jews in Slovene Religious Hymnals in Different Periods of the Catholic Church

The article discovers which events and persons of the Old testament are transmitted to us as Mary’s pre-images by Slovene religious hymnals in different periods of the Catholic Church. Her well-known pre-images are the Tower of David and the Ivory Tower, a spiritual vessel, a chest of peace, a lily,...

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Bibliographic Details
Published in:Edinost in dialog
Subtitles:Old Testament Preimages of Mary and Images of Jews in Slovene Religious Hymnals in Different Periods of the Catholic Church
Main Author: Ditmajer, Nina (Author)
Format: Electronic Article
Language:Slovenian
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Published: Inštitut za ekumensko teologijo in medreligijski dialog pri Teološki fakulteti Univerze v Ljubljani [2020]
In: Edinost in dialog
Standardized Subjects / Keyword chains:B Slovenia / Marian hymn / Passion music / Song / Picture / Old Testament / Prototypes, Engineering (Linguistics) / Judaism
IxTheo Classification:BH Judaism
CC Christianity and Non-Christian religion; Inter-religious relations
CD Christianity and Culture
KBK Europe (East)
Further subjects:B Slovenian literature
B predpodoba
B pre-image
B songs of Mary
B pasijonske pesmi
B eshatološke pesmi
B passion song
B Old Testament
B Marijine pesmi
B Stara zaveza
B eschatological songs
B judovstvo
B Judaism
B slovensko slovstvo
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Description
Summary:The article discovers which events and persons of the Old testament are transmitted to us as Mary’s pre-images by Slovene religious hymnals in different periods of the Catholic Church. Her well-known pre-images are the Tower of David and the Ivory Tower, a spiritual vessel, a chest of peace, a lily, a rose without thorns, a fountain of grace, while comparisons with the Old Testament figure of Eve express a negative connotation, especially in the Baroque period. In Baroque eschatological songs, which aroused fear and condemnation, contempt for Jews (including Muslims) is often seen; these songs began phasing out of the liturgical use in the Church in the Age of Enlightenment. The theme of the collective guilt of the Jews for Christ’s suffering and death is most vividly illustrated by the Passion Songs.
ISSN:2385-8907
Contains:Enthalten in: Edinost in dialog
Persistent identifiers:DOI: 10.34291/Edinost/75/02/Ditmajer