Picturing Time and Eternity in Sebastiano del Piombo's Viterbo Pietà
The placement of powerful figures within a nocturnal landscape in Sebastiano del Piombo's Viterbo Pietà (ca. 1512-16) is commonly explained as a stylistic union of Michelangelo's Tuscan disegno and Sebastiano's Venetian colorito. Yet this dialectic became a concern to art theorists on...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sixteenth Century Journal Publishers, Inc.
[2020]
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| In: |
The sixteenth century journal
Year: 2020, Volume: 51, Issue: 2, Pages: 385-418 |
| IxTheo Classification: | CD Christianity and Culture CE Christian art KAH Church history 1648-1913; modern history KBJ Italy NBF Christology |
| Further subjects: | B
Influence (Literary, artistic, etc.)
B Lamentation of Christ in art B Jesus Christ in art B Del Piombo, Sebastiano, 1485-1547 B Eternity in art B Michelangelo Buonarroti, 1475-1564 B Mary, Blessed Virgin, Saint, in art B Time in art B Egidio, da Viterbo, Cardinal, ca. 1469-1532 |