The Hybrid Aesthetics of Korean Evangelical Christianity
This essay explores the multiple layers of aesthetics in Korean Protestant Christianity, moving between South Korea, the United States, and Haiti, where Korean Protestant Christians began establishing missions in 1992. Following the transnational itineraries of Korean and Korean American Protestants...
| Autore principale: | |
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| Tipo di documento: | Elettronico Articolo |
| Lingua: | Inglese |
| Verificare la disponibilità: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Pubblicazione: |
[2020]
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| In: |
Journal of ecumenical studies
Anno: 2020, Volume: 55, Fascicolo: 4, Pagine: 544-568 |
| Notazioni IxTheo: | CD Cristianesimo; cultura KBM Asia KBQ America settentrionale KDG Chiese libere |
| Altre parole chiave: | B
Max Weber
B Korean Women B evangelical womanhood B Haitian missions B K-pop B Korean Christianity B Aesthetics B Pierre Bourdieau |
| Accesso online: |
Volltext (Publisher) Volltext (doi) |
| Riepilogo: | This essay explores the multiple layers of aesthetics in Korean Protestant Christianity, moving between South Korea, the United States, and Haiti, where Korean Protestant Christians began establishing missions in 1992. Following the transnational itineraries of Korean and Korean American Protestants, I will identify two distinct but not mutually exclusive orientations of their aesthetics. The first is an aesthetics of progress, which has been prominent since the inception of Protestant Christianity in Korea. The second is an aesthetics of Koreanness. |
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| ISSN: | 2162-3937 |
| Comprende: | Enthalten in: Journal of ecumenical studies
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| Persistent identifiers: | DOI: 10.1353/ecu.2020.0045 |
