Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death

The development of Vertigo ’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death , in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despa...

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Detalhes bibliográficos
Autor principal: Becker-Lindenthal, Hjördis 1978- (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publicado em: [2020]
Em: Kierkegaard studies. Yearbook
Ano: 2020, Volume: 25, Número: 1, Páginas: 285-300
Classificações IxTheo:CD Cristianismo ; Cultura 
KAH Idade Moderna
KAJ Época contemporânea
NBE Antropologia
ZD Psicologia
Acesso em linha: Volltext (Publisher)
Volltext (doi)
Descrição
Resumo:The development of Vertigo ’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death , in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despair to dizziness both in Kierkegaard’s work and in Hitchcock’s film, and it examines the religious subtext of Vertigo. The dramatis personae of Judy and Scottie are analysed by applying Kierkegaard’s phenomenology of despair. They display a variety of failures to relate to their selves, like unconscious and conscious despair, possibility’s despair, despair over the earthly and despair of the eternal. Moreover, they epitomize the gendered types of despair as depicted in The Sickness unto Death: losing one’s self in relation to someone and obsessively striving for self-assertion at the cost of others.
ISSN:1612-9792
Obras secundárias:Enthalten in: Kierkegaard studies. Yearbook
Persistent identifiers:DOI: 10.1515/kierke-2020-0013