La Σκιά (Hbr. 10,1) e la verità dei colori
In the Epistle to the Hebrews (10,1; cf. Hbr. 8,5; Col. 2,16-17) the terms σκιά and εἰκών are opposed, and most commentators have focused on the latter term, interpreting it as a Platonic allusion. If we consider in more detail the meanings of σκιά and σκιαγραφία, another interpretation appears more...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | Italian |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Pubblicazioni Agostiniane
[2020]
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| In: |
Augustinianum
Year: 2020, Volume: 60, Issue: 2, Pages: 523-542 |
| IxTheo Classification: | CD Christianity and Culture HC New Testament KAB Church history 30-500; early Christianity |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 520 | |a In the Epistle to the Hebrews (10,1; cf. Hbr. 8,5; Col. 2,16-17) the terms σκιά and εἰκών are opposed, and most commentators have focused on the latter term, interpreting it as a Platonic allusion. If we consider in more detail the meanings of σκιά and σκιαγραφία, another interpretation appears more likely. Σκιαγραφία means “shading”, “silhouette” or “outline”, and finally “sketch” or - even better - “preliminary drawing”, “underdrawing”or “sinopia”. The last meaning is well attested in the sources at least since the late second or early third century AD and a number of passages in the Fathers alluding to the Epistle support the same conclusion. The term is common in the technical terminology of painters on wooden tablets and was a widely employed topos with different nuances according to different authors. | ||
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