La Σκιά (Hbr. 10,1) e la verità dei colori

In the Epistle to the Hebrews (10,1; cf. Hbr. 8,5; Col. 2,16-17) the terms σκιά and εἰκών are opposed, and most commentators have focused on the latter term, interpreting it as a Platonic allusion. If we consider in more detail the meanings of σκιά and σκιαγραφία, another interpretation appears more...

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Bibliographic Details
Main Author: Liverani, Paolo 1959- (Author)
Format: Electronic Article
Language:Italian
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Published: Pubblicazioni Agostiniane [2020]
In: Augustinianum
Year: 2020, Volume: 60, Issue: 2, Pages: 523-542
IxTheo Classification:CD Christianity and Culture
HC New Testament
KAB Church history 30-500; early Christianity
Online Access: Presumably Free Access
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Summary:In the Epistle to the Hebrews (10,1; cf. Hbr. 8,5; Col. 2,16-17) the terms σκιά and εἰκών are opposed, and most commentators have focused on the latter term, interpreting it as a Platonic allusion. If we consider in more detail the meanings of σκιά and σκιαγραφία, another interpretation appears more likely. Σκιαγραφία means “shading”, “silhouette” or “outline”, and finally “sketch” or - even better - “preliminary drawing”, “underdrawing”or “sinopia”. The last meaning is well attested in the sources at least since the late second or early third century AD and a number of passages in the Fathers alluding to the Epistle support the same conclusion. The term is common in the technical terminology of painters on wooden tablets and was a widely employed topos with different nuances according to different authors.
ISSN:2162-6499
Contains:Enthalten in: Augustinianum
Persistent identifiers:DOI: 10.5840/agstm202060227