Kreative Passivität: Überlegungen zur theologischen Anthropologie im Gespräch mit Hartmut Rosa und Eberhard Jüngel

The article examines the anthropological foundations of Hartmut Rosa’s “theory of resonance” and relates them to Eberhard Jüngel’s concept of “creative passivity.” In this way, an approach to theological anthropology is outlined that circumvents the dichotomy of autonomy and heteronomy. Furthermore,...

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Bibliographic Details
Published in:Theologie und Philosophie
Main Author: Specker, Tobias 1971- (Author)
Format: Electronic/Print Article
Language:German
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Published: Herder 2020
In: Theologie und Philosophie
Standardized Subjects / Keyword chains:B Rosa, Hartmut 1965- / Jüngel, Eberhard 1934-2021 / Anthropology
IxTheo Classification:NAB Fundamental theology
NBE Anthropology
Further subjects:B Jüngel, Eberhard (1934-2021)
Online Access: Volltext (doi)
Description
Summary:The article examines the anthropological foundations of Hartmut Rosa’s “theory of resonance” and relates them to Eberhard Jüngel’s concept of “creative passivity.” In this way, an approach to theological anthropology is outlined that circumvents the dichotomy of autonomy and heteronomy. Furthermore, an attempt is made to give Jüngel’s revelation-based theology an anthropological grounding. Finally, the potential for ecumenical understanding regarding the opposition of “cooperatio” and “mere passivity” is shown: The concept of creative passivity, modified by the interplay between Jüngel and Rosa, makes it possible to account for the existential and anthropologically describable integration of human persons into God’s salvatory work while still rejecting any human self-efficacy and active participation in the redemption.
ISSN:0040-5655
Contains:Enthalten in: Theologie und Philosophie
Persistent identifiers:DOI: 10.23769/thph-95-2020-017