König Salomo und der Spatz: zur Rezeption einer jüdischen Legende bei Rudyard Kipling und deren Fortschreibung
The medieval legend about King Solomon and a sparrow showing off to his wife has inspired several authors throughout the centuries and undergone a variety of transformations. The different retellings show an increasingly misogynist tendency reaching its peak in Randall Thompson’s 1942 opera "So...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Deutsche Bibelgesellschaft
[2019]
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| In: |
Die Bibel in der Kunst
Year: 2019, Volume: 3, Pages: 1-13 |
| Standardized Subjects / Keyword chains: | B
Solomon Israel, King
/ Legend
/ Reader-response criticism
/ Woman-hating
/ Thompson, Randall 1899-1984
/ Kipling, Rudyard 1865-1936
/ Geistesgeschichte 1942
/ Geistesgeschichte 1902
/ Geistesgeschichte 21. Jh.
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| IxTheo Classification: | HB Old Testament |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | The medieval legend about King Solomon and a sparrow showing off to his wife has inspired several authors throughout the centuries and undergone a variety of transformations. The different retellings show an increasingly misogynist tendency reaching its peak in Randall Thompson’s 1942 opera "Solomon and Balkis", which is based on Rudyard Kipling’s story "The Butterfly that Stamped" of 1902. The 21st century cartoon adaptation by Craig Handley (German version by Charles Rettinghaus) aims for political correctness but remains unsatisfactory. |
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| Contains: | Enthalten in: Die Bibel in der Kunst
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