‘The shock of the new’: a theological reflection on art, the Incarnation and doctrine within contemporary Higher Education Chaplaincy

This paper is a theological reflection utilizing the Killen and de Beer method, on an ‘art installation’ at King’s College London Chaplaincy in which a jar of Marmite, labelled ‘Lord Jesus’ was placed in a manger, causing some controversy. Instead of the usual progression in this method, beginning w...

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Bibliographic Details
Main Author: Kells, Mary Eileen (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group [2020]
In: Practical theology
Year: 2020, Volume: 13, Issue: 6, Pages: 544-557
IxTheo Classification:CD Christianity and Culture
CE Christian art
FB Theological education
KBF British Isles
KDE Anglican Church
NBF Christology
Further subjects:B Incarnation
B University Chaplaincy
B Doctrine
B Marmite
B Species
Online Access: Volltext (Resolving-System)
Description
Summary:This paper is a theological reflection utilizing the Killen and de Beer method, on an ‘art installation’ at King’s College London Chaplaincy in which a jar of Marmite, labelled ‘Lord Jesus’ was placed in a manger, causing some controversy. Instead of the usual progression in this method, beginning with experience and the feelings it provokes, to lead to an image, I begin with the image itself and explore it as a feeling-producing experience, which leads to a further image, to insight and action. Themes in this exploration include the nature of art in a Christian context (is this art?), and its missional role; the doctrine of the Incarnation, including the extent to which it is/was shocking and how anthropological ideas of sacred and profane can assist us in understanding this; how we present and understand doctrine in Higher Education Chaplaincy and in our postmodern context.
ISSN:1756-0748
Contains:Enthalten in: Practical theology
Persistent identifiers:DOI: 10.1080/1756073X.2020.1783912