Becoming Divine Women: Miriam Toews’ Women Talking as Parable
This article attends to the ways in which Canadian Mennonite novelist Miriam Toews’ Women Talking crafts a feminist theological parable of women envoicing and incarnating pacifism in the context of a purportedly pacifist colony devastated by patriarchal violence. I argue that the novel, like the bib...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Oxford University Press
[2020]
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In: |
Literature and theology
Year: 2020, Volume: 34, Issue: 4, Pages: 408-429 |
IxTheo Classification: | CD Christianity and Culture FD Contextual theology HA Bible KBQ North America |
Online Access: |
Volltext (Verlag) Volltext (doi) |
Summary: | This article attends to the ways in which Canadian Mennonite novelist Miriam Toews’ Women Talking crafts a feminist theological parable of women envoicing and incarnating pacifism in the context of a purportedly pacifist colony devastated by patriarchal violence. I argue that the novel, like the biblical parables, functions as a ‘mythos (a heuristic fiction) which has the mimetic power of “redescribing” [pained] human existence’ in reparative terms (Ricoeur). More particularly, as a feminist theological parable, the novel displays in literary form what Luce Irigaray philosophically conceives of as ‘becoming divine women’. I first explore definitions of biblical parables and divine becomings, prior to turning my attention to the Bolivian crisis, and then to Toews’ hopeful, revisionist narrative. |
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ISSN: | 1477-4623 |
Contains: | Enthalten in: Literature and theology
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Persistent identifiers: | DOI: 10.1093/litthe/fraa020 |